OR
http://www.libraries.psu.edu/nabokov/dbjgo4.htm
You'll find the words and these pictures there:


-The imitation or representation of aspects of the sensible world, especially human actions, in literature and art.
-basic theoretical principle in the creation of art. The word is Greek and means "imitation" (though in the sense of "re-presentation" rather than of "copying"). Plato and Aristotle spoke of mimesis as the re-presentation of nature. According to Plato, all artistic creation is a form of imitation: that which really exists (in the "world of ideas") is a type created by God; the concrete things man perceives in his existence are shadowy representations of this ideal type.
Therefore, the painter, the tragedian, and the musician are imitators of an imitation, twice removed from the truth. Aristotle, speaking of tragedy, stressed the point that it was an "imitation of an action"-that of a man falling from a higher to a lower estate. Shakespeare, in Hamlet's speech to the actors, referred to the purpose of playing as being " . . . to hold, as 'twere, the mirror up to nature." Thus, an artist, by skillfully selecting and presenting his material, may purposefully seek to "imitate" the action of life.

As I was recovering from an especially brutal migrain last night I watched The Prisoner of Zenda from 1937...yes it is in black and white. It is laugh out loud funny with lots of good action scenes. Rudolf Rassendyll, the hero, is so funny, I adore him. I know we already talked about the connection with Kinbote's Zembla story, but after watching it I have no doubt. There is a King Charles that is facing a revolt, he's captured, there is a passageway somewhere, a man
from England...any of this sounding familiar? We could argue that Kinbote read all of the books on the shelf and was influenced by them, but that means he came up with the Zembla story after moving into Judge Goldsworth's house. Well, he had no friends, and he had to kill time when he was waiting to watch Shade.